Friday, June 30, 2017

LSSL 5360 Genre 3 Poetry

Enchanted Air by Margarita Engle



BIBLIOGRAPHY
Enchanted Air Two Cultures, Two Wings, a Memoir (First ed.). (2015). New York, New York: Antheneum Books.
ISBN 9781481435222

PLOT SUMMARY
Enchanted Air by Margarita Engle, is an endearing memoir of the author’s life and recollections of her love of two countries.  Torn between her childhood home in the United States, where she was born and raised and Cuba, her mother’s country, where Margarita spent wonderful vacations visiting family. She passionately addresses significant topics, such as her mother’s homesickness, being bicultural, the challenge of relocating to new homes and schools, the Cuban Revolution.  As she tries too establish her identity, her life is being torn apart by politics, war and society’s standards.  Growing up in noisy, lonely Los Angeles, Margarita dreams of soaring in the enchanted air to her beloved Cuba. Then the unthinkable happens.  In 1961,  United States launches an attack on Cuba and Margarita fears she will never be able to visit her beautiful island again. 


CRITICAL ANALYSIS
Margarita Engle’s Enchanted Air uses short paragraphs and fast moving narratives to engage the reader in this poetic summary of her life. I found her poetry touching and heartfelt.  This story really hit close to home.  I can appreciate the love for family, cousins and tias. Just like the author, I embrace my Hispanic heritage.  When I read the paragraph “First Flames” it reminds me of my own daughter Madison and her battle with brain cancer, her faith in God continued to give her hope, even in the darkness. When Margarita’s abuelita lights the candle to give thanks to La Virgen for healing Mad (her sister) it gave me goose bumps.
Her use of imagery, expertly timed, evokes visions in my head about the beautiful fragrances of Cuba, the clear sandy beaches, the dancing trees.  I can also smell the burning of her home in Oregon, see the gloom and grey skies her mother dreads and the noisy, dirty streets of Los Angeles.  Enchanted Air has become one of my top favorite books and I plan on recommending it to all my students.

Edel Rodriguez’s illustrations don’t convey the beauty of Cuba, nor the energy of this memoir.  I would have liked more detail in the flowers, butterfly and the front cover. He used mainly blues, whites, and tiny pops of color.  I would have loved to see actual photographs of Margarita’s family in Cuba and the United States.


REVIEW EXCERPT(S)
Margarita Engle's moving, lyrical memoir breathes life into a piece of history that may be unknown to many tweens and teens.  Kate Pavao (Common Sense Media)

 A more than worthwhile purchase for any library in need of a universally applicable coming-of-age tale, a fantastic new memoir-in-verse, or a glimpse into Cuba’s past." (School Library Journal, May 2015, STARRED REVIEW)


CONNECTIONS
What is a memoir? -  In this activity ask students discuss what a memoir is.  Have them create a memoir of their own.

Timeline: Students can create a timeline of Margarita’s life along with the historic events (Cuba invasion) and figures she mentions in Enchanted Air.
Personal Timeline: Students can create a personal timeline that features events in their life as well as important events and people during their lifetime.


AWARDS
·         2016 Pura Belpre Author Award
·         YALSA Nonfiction Finalist
·         Walter Dean Myers Award Honoree,







Brown Girl Dreaming by Jaqueline Woodson



BIBLIOGRAPHY
Woodson, J. (2014). Brown girl dreaming. New York, New York: Penguin Group.
ISBN 9780399252518


PLOT SUMMARY

Brown Girl Dreaming follows the childhood of the author, Jacqueline Woodson, from her birth to around age ten. Jacqueline is born in Ohio, the youngest child of three, in 1963 during the height of the Civil Rights Movement. Jacqueline and her family are African-American. Her father, Jack is from Ohio, and her Mama is from South Carolina.
Woodson begins her story on February 12, 1963, the day of her birth.  On the second day of her birth Martin Luther King is planning a march on Washington, Malcolm X is talking about a revolution, Freedom singers are linking hands, and James Baldwin is writing about injustice. In the midst of struggles, fighting, dying, marching, black Americans dream that all brown children can grow up free.  Woodson questions her role in this world of racial tension and if one day she too will be able to make a difference.  
Her beloved grandfather reminisces about family names and says, “no master can ever take away your name”.  As a child, Jacqueline’s parents quarrel about her name.  Father wants to name her Jack, after him, and mother wants Jackie.  Once mother signs the birth certificate she decides on Jacqueline.  Constantly fighting about where to call home, Mama decides to return to South Carolina to live with Grandpa Gunner and Grandma.  Jacqueline loves the cool fresh air, red dirt, and pine trees.  Family dinners, porch swinging, storytelling, gardening, baking, cooking, and attending Kingdom Hall fills Jacqueline’s mind with cherished memories.  Although, she loves living in South Carolina, colored people, like her grandpa “Daddy” and grandma, were discriminated against daily at work, bus stations, and restaurants. Mama decides it is time to move to New York and Jacqueline describes being treated differently because of her religion.  She struggles with the fact of being a Jehovah Witness and wishing she could live freely to salute the flag, eat birthday cake, and celebrate holidays.  Jacqueline has difficulties in reading but loves to make up stories and is encouraged by her teachers to write her thoughts on paper, opening a new world for Jacqueline.   Through all the hardships, goodbyes, moving from Ohio, New York, South Carolina, and attending Kingdom Hall almost daily, she learns a valuable lesson about herself, she has a gift for storytelling , she can choose the world to walk in and she was blessed to be loved.


CRITICAL ANALYSIS

Brown girl dreaming is written in First person narrative from Jacqueline’s perspective.  In the beginning of the book Woodson speaks about the racial tension in the United States and how although slavery has been abolished it will continue to be a part of her life and fellow African Americans.  Eloquently, she convinces the reader that her birth certificate is a legal document that classifies and segregates her from the moment of birth.  She uses the story of Ruby Bridges to show that children were not free from discrimination or racism.   
Brown girl dreaming by Jacqueline Woodson and Enchanted Air by Margarita Engle share similar story lines, for example, both women express a longing for a place to belong, family unity and overcoming obstacles.


REVIEW EXCERPT(S)

Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery.”—The New York Times Book Review

CONNECTIONS

The Origin of Names- In this activity, students will research the origin of their own names by asking family members how they came to be named as they were. Students can then write a poem or a story about their own name.
Woodson’s Timeline: Students can create a timeline of Woodson’s life along with the historic events and figures she mentions in Brown Girl Dreaming.
Personal Timeline: Students can create a personal timeline that features events in their life as well as important events and people during their lifetime.
Family features- In this activity have students trace a physical or personality trait amongst family members. For older students, this could be used in a biology class to discuss genetics.
Look for this website to get more information on these activities: https://www.literacyworldwide.org/blog/literacy-daily/2014/10/02/putting-books-to-work-i-brown-girl-dreaming-i
AWARDS

·         National Book Award
·         Newberry Honor Book
·         Coretta Scott Award


DANITRA BROWN LEAVES TOWN BY NIKKI GRIMES
ILLUSTRATED BY FLOYD COOPER





BIBLIOGRAPHY
Grimes, N., & Cooper, F. (2002). Danitra Brown leaves town(First ed.). Place of publication not identified: Amistad.
ISBN 0688131557

PLOT SUMMARY
Danitra Brwon leaves town, is the second in a series of books about a little girl and her best friend Zuri Jackson.   It’s summer vacation and Danitra is excitedly telling Zuri about her trip.  Disappointed and upset Zuri hurts Danitra with awful words about their friendship before she leaves.  Wondering if her friend Danitra will ever forgive her, the first letter arrives.  These poems tell a story about how the girls stayed in touch by writing letters to each other, and how they discovered that they could have fun apart from one another while still remaining friends. The two friends share with readers what childhood summers are made of, Danitra details her first night in her aunt’s backyard encircled by a cluster of fireflies and unbelievable dark blue-black sky.  She retells a time her new friends dared her to jump off a tree and although she is still a city girl, she now likes digging in the dirt, yanking weeds, and watering roses.
  Zuri writes about her block party filled with loud fast music, her new friend Nina, the special fourth of July spent with her mom, and she bragged about the time she slammed the ball so hard, she knew J.T. could never hit that hard.  Both girls joyfully await their reunion and learn that although miles may separate them, a true friend is forever.

.


CRITICAL ANALYSIS

Danitra Brown leaves town is narrated from the perspective of a little girl.  Grimes captures the essence, excitement and wonderment of being a young child.  With the help of Floyd Cooper’s use of realistic, carefree, and expressive artwork,  Grimes is able to create a tone and mood with words and pictures ,describing  Zuri’s anger at Danitra for being excited to leave on vacation , Danitra’s wonder at the sky filled with fireflies, and the lovingly way she describes Zuri’s special night with her mom.


REVIEW EXCERPT(S)
"Cooper's luminescent pastels chronicle the long days and Zuri's many moods." (Publisher’s Weekly)
Cooper's photo-realist artwork in soft hues against glowing backdrops is a lovely complement to the girls' many moods. Catherine Threadgill, Charleston County Public Library, SC 

CONNECTIONS
Writing/ Language arts
Discuss friendship and have students make a chart of all the figurative language phrases found in the story.
Students can pretend they are on summer vacation and their best friend stayed home.  They can write a letter to their best friend in the form of a poem and describe one fun thing they did during summer vacation.

BROWN ANGEL BY WALTER DEAN MYERS




BIBLIOGRAPHY
Myers, W. D. (1993). Brown angels: an album of pictures and verse(First ed.). New York: HarperCollins.
ISBN 0060229179


PLOT SUMMARY
Brown Angels by Walter Dean Myers, is a collection of turn-of-the-century photographs of  black children, along with poetry.  I was immediately touched by the vintage photos of various African American children taken at least a century ago. I wondered who they were, where they lived, and what ultimately happened to them.  As a mother of three girls, the rhythm of the poems initiated a sadness knowing these children can never be identified, and they will forever be children without a name, family, and home.  The introduction of the book, Walter Dean Myers writes he discovered and purchased many vintage photographs of African American children at antique shops, flea markets, auction houses.



CRITICAL ANALYSIS

The design of the book, with its warm sepia-toned photographs and Victorian decorations, attractively showcases the haunting faces of the children.  Myers uses both standard English and a slightly southern rhythm to engage the reader. He also makes the reader sing along with his use of church style hymns.  I believe Myers was successful in matching the mood and tone of the poem with the child’s photographs.
On a side note, while reading Myers’ poetry and looking at the pictures, I was overcome with sadness because my oldest child passed away from brain cancer and all I have are pictures of her never growing old, forever a child.



REVIEW EXCERPT(S)

“The distinguished novelist has culled his personal collection of turn-of-the-century photographs of African-American children and composed the verses that accompany this enchanting selection of youngsters.” (The New York Times)

“A unique celebration of the continuum of human life and of childhood in all its robustness, fragility, and evanescent beauty…A exquisite album. The 42 superbly reproduced black-white and sepia prints radiate intensely with the personalities of their subject” (School Library Journal)

CONNECTIONS

Make it a family affair. Students can gather old family photos and create a book of poetry based on the photo. *

Tuesday, June 20, 2017

LSSL 5360 GENRE 2 TRADITIONAL LITERATURE






SWAMP ANGEL BY ANNE ISAACS




BIBLIOGRAPHY

Isaacs, A., & Zelinsky, P. O. (1994). Swamp Angel. New York, NY: Dutton Children's Books.
ISBN 0525452710

PLOT SUMMARY

            Swamp Angel by Anne Isaacs is an endearingly funny tale of young women named Angelica Longrider who becomes the greatest woodswoman in Tennessee. This larger than life story begins with the birth of Angelica who is described as scarcely taller than her mother. The reader can easily see Angelica is extremely large for her age. She begins building log cabins at the age of two and by the time she is full grown, she has accomplished great wonders in Tennessee.  The name Swamp Angel was bestowed upon Angelica, at the age of twelve she saved a group of settlers in Dejection Swamp.  The settlers believed she was an angel walking in the foggy mist sent to save them.  One of the greatest tales ever told about Angelica was her fearsome battle with Thundering Tarnation, a bear terrorizing the backwoods of Tennessee.

CRITICAL ANALYSIS

Isaac’s writing style with its use of slang, hyperbole, and outrageous descriptions make this story entertaining.  I excitedly continued reading to see what hilarious antics the author could conjure next. Through Isaac’s writing I can hear the narrator speaking in a Tennessee accent.  I also envision Angelica taking hold of the tornado, wrestling the bear, and drinking up the whole lake dry.  The story is engaging, amusing, and highly energetic.

Paul Zelinsky’s folk art illustrations painted in oils on cherry maple and birch veneers give this book a timeless touch.  Angelica’s large features are visually appealing and expertly drawn.
Although I enjoyed this book tremendously, it was a little difficult to read aloud to my six year old nephew.  Throughout the story I had to change, define or omit some of the words in the book so he could stay interested.  He did enjoy the pictures of Angelica and quickly pointed out how large she was compared to everyone else in the story.  Overall, we had a great time discussing all the adventures Angelica experienced in the hills of Tennessee.

REVIEW EXCERPT(S)
This valiant heroine is certain to leave youngsters chuckling-and perhaps even keeping a close watch on the night sky. (Publishers Weekly, 1994)
I think she can catch the bear because she is older and big. (Wyatt G. 6 years old)
CONNECTIONS

History
Connect the story to American history and geography with the help of a historical atlas or an illustrated book about the frontier. Discuss how the people dressed, the kinds of houses they lived in, how they traveled and how they celebrated.

English
Distinguish between the "tall tale” and a true story, and identify parts of the tall tale that are like real life.
Identify and describe visual details about how settlers lived on the frontier.


Enjoy other books by Anne Isaacs
  • Dust Devil
  • Treehouse Tales
  • Cat up a Tree
  • Pancakes for Supper!
  • The Ghosts of Luckless Gulch
  • Meanwhile, Back at the Ranch



Awards

A Caldecott Honor Book
An ALA Notable Book
A Time magazine Best Book of the Year
A New York Times Best Illustrated Children’s Book of the Year
Winner of the Boston Globe/Horn Book Award
A  Publishers Weekly Best Book of the Year




THE THREE PIGS BY DAVID WIESNER




BIBLIOGRAPHY
Wiesner, D. (2001). The three pigs. New York, New York: Clarion Books.
ISBN 0618007016

PLOT SUMMARY
 David Weisner’s The Three Pigs story mimics the classic tale of the Three little pigs by Joseph Jacobs, which build their homes out of straw, bricks, and sticks. This tale has an unexpected twist instead of the wolf huffing and puffing to destroy the houses and eat the pigs, he has blown the pigs into another dimension.  Using the pages of the old tale, the pigs build an airplane and take off on an adventure.  White blank pages follow and when you think the story has ended, the three pigs nonchalantly saunter into the “Hey Diddle Diddle” story.  Uninterested in this new tale they soon depart the cartoonish world with the cat and the fiddle in tow.  Looking for a new adventure they discover a dragon high on a hill.  Fearful the prince will slay the dragon they help him escape and save the golden rose.  As the pigs weave in and out of fairy tales they come back to their own tale where they defeat the wolf and live happily ever after.

CRITICAL ANALYSIS

The writer uses clear short paragraphs to convey a story told from the point of view of the three pigs.  Weisner uses short phrases and sentences to chronicle the pigs mischievous adventures, acts of heroism and unlikely friendships.  I liked the way Weisner personified the dragon, usually perceived as a naturally vicious animal, and makes him appear meek, kind, and noble. Some readers may not appreciate Weisner’s disregard of a classic fairy tale story line, but nonetheless he spins a great adventure that could be used to discuss and compare other three little pig stories.

The illustrator uses watercolor, gouache, colored ink, pencil and colored pencil on Fabriano hot press.  The three pig’s story begins on a flat cartoon like grassy meadow, progresses to blank white sheets, and settles into the original one dimensional drawing.  Goldenberg’s use of techniques, various styles, and placement of art inspires the reader to distinguish between the old folktale and the new story.  A unique element used throughout the book was the placement of pictures, for example, when the wolf blew the pigs off the page the disarray left the reader and the wolf asking what happened to the three pigs. 


REVIEW EXCERPT(S)
Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level.  (Goodreads)


CONNECTIONS

Reading
 Listen to and recognize there are different versions of the same stories.
 Retell folktales and fables to relate to prior experiences with those stories


AWARDS
2002 Caldecott Medal Award

Enjoy other David Weisner Books

  • Fish Girl
  • Mr. Wuffles!
  • Art & Max
  • Flotsam
  • The Loathsome Dragon
  • Sector 7
  • June 29, 1999
  • Tuesday
  • Hurricane
  • Free Fall






JOSEPH HAD A LITTLE OVERCOAT BY SIMMS TABACK



BIBLIOGRAPHY
Taback, S. (1999). Joseph had a little overcoat. New York, New York: Penguin Group.
ISBN 060878553


PLOT SUMMARY

Joseph had a little overcoat is an engaging tale of reusing and repurposing a well-loved item.  Joseph wears a long yellow plaid overcoat with a few patches to cover up the holes.  While out in the field milking the cow, he notices that his beloved overcoat has become old and worn, but instead of throwing the coat away, he makes it into a jacket and dances at his nephew’s wedding.  The jacket becomes old and worn, so he makes a vest out of it.  The story continues on the same way, each time making a new article of clothing.  The vest becomes a scarf, the scarf becomes a necktie, the necktie becomes a handkerchief, and finally it becomes so small that the only thing it can be made into is a button.  He places the button on his outfit, it soon falls off and is lost.  Joseph is now left with nothing.  So instead of giving with nothing he decides to write a story about his little overcoat that turned into a button.  Joseph learned that although it may seem you have nothing there is always a way to make something



CRITICAL ANALYSIS

Joseph never speaks in the book, it was told through narration.  The story is written with short sentences on each page, which makes it easy to read.  As a child, Simms Taback had a favorite Yiddish folk song, which he adapted to make Joseph had a little overcoat.   Repetitive lines of “Joseph had a little…” keeps the reader engaged and makes them feel like they are singing a song.   Another interesting feature of the book is several pages have cut outs which displays pieces of clothing, when the page is turned it shows the new article of clothing that Joseph made from the old, worn piece.  This is a great way to hold the attention of the reader. It takes the story to new levels by making the book interactive and fun.  Taback’s message of re purposing items is a great lesson to teach children at any age.

The style and techniques used for the illustrations are watercolor, gouache, pencil, ink, and collage.  Entire pages filled with vibrant cartoon drawings of characters and scenery highlight the illustrator’s creativity.  The illustrator seems to use a mixture of real items, such as, the vegetables in the field, plates on the wall, photographs of people, and then he mixes in some cartoon like drawings of homes and animals. I found it odd that there are real photographs of people on the walls, yet the rest of the characters in the book are drawn in cartoon style art.  Overall, I enjoyed reading this book and hope to share it with my students. 


REVIEW EXCERPT(S)
“With its effective repetition and an abundance of visual humor, this is tailor-made for reading aloud.” (Publishers Weekly, 1999)


CONNECTIONS

A great book to read with students of all ages and discuss ways they can recycle and repurpose items they no longer need. 

Make a collage using old magazines that tells something about yourself.  These things might include your favorite color, pets that you have, siblings, or favorite activities.  I have actually used this activity in my high school life skills classroom and the students were able to search through magazines and find pictures that represented them. We then cut out silhouettes of their face and glued the pictures on.

Make a quilt- students bring in old pieces of fabric from home and have the teacher sew it together.  If you do not want to use fabric have the students draw a picture on a piece of paper and glue all of the pieces together.

Awards
The Caldecott Medal

Enjoy other books by Simms Taback
  • There Was an Old Lady Who Swallowed a Fly
  • This is the House that Jack Built
  • Postcards from Camp
  • I Miss You Ever Day
  • Peek-a-Boo...Who?
  • Quack Like a Duck

Saturday, June 10, 2017

LSSL 5360 GENRE 1: PICTURE BOOKS


Where the Wild Things Are by Maurice Sendak

                         
                                   
BIBLIOGRAPHY

Sendak, M. (n.d.). Where the wild things are. New York, New York: Harper Collins .

PLOT SUMMARY

A young boy, Max appears to be an angry, reckless child. He is always up to mischief while wearing his wolf suit. He is sent to bed without any supper because he behaved badly. While in his room a forest grows all around him. With a mischievous grin on his face Max explores the forest and comes upon monstrous yet cuddly wild things and the adventure begins.

CRITICAL ANALYSIS

Sendak's "Where the Wild Things Are," explores Max’s imagination plagued by darkness and sadness. The book delves into Max’s psychological reactions of being rejected and disciplined by his mother. He is left confused and angry. He decides to go to a place where he alone is king, and has the right to make his own decisions. The wild things are a representation of his unwillingness to change his wild ways. Through Max’s imaginary journey he releases his anger towards his mother and is ready to return home happy and at peace.
Sendak’s illustrations convey a dark and mysterious place filled with larger than life monsters and adventures. His illustrations demonstrate great detail in regards to the monsters and their huge features.  Sendak’s use of muted grays, blues and green are an expression of the sadness, rage and confusion portrayed throughout the book.

REVIEW EXCERPT(S)

1964 Caldecott Medal Winner
Top 100 books (2012) SCHOOL LIBRARY JOURNAL

CONNECTIONS
I found an informative website that gives lots of ideas on how to connect the book to a classroom setting.  These ideas can be used for any grade level and can be modified to fit all students’ learning needs.

English
  • Before reading the book, look at the cover and write a story about what might happen.
  • Write a story about the kinds of 'mischief' that Max makes.
  • Look at the use of connectives and punctuation within the story.
  • The author uses 'terrible' repeatedly to describe the wild things. Why did he use the same word so many times? Can you think of synonyms for 'terrible'?
  • Write captions for each of the illustrations in the book.
  • Listen to this audio version of the story. Could you record your own reading?
  • If you were the king of the wild things, how would you feel? Can you write a diary from the point of view of the 'King of the Wild Things'?
  • Write a sequel where Max returns to see the wild things. What might happen?
  • Watch this video with the author / illustrator, Maurice Sendak. If you could interview him, what questions would you ask?

Math
  • Find the different time periods mentioned in the book. Can you convert between different lengths of time?
Science
  • Write a fact sheet about one of the wild things. What is its habitat? How is it adapted to live there? What does it eat? Does it have any special features / abilities??(see Resources below)
Computing
  • Use a painting program to create a picture of a Wild Thing.
  • Make a wild thing using the Switch Zoo site.
  • Make a wild thing using the Build Your Wild Self site.
  • Make a stop-motion animation showing Max and some wild things having an adventure. Watch this example for inspiration:
Design Technology
  • Make a model of the boat that Max uses to sail to where the wild things live.
Art
  • Design your own 'wild things' that live in different habitats.
  • Look at the illustration of the colored leaves on the inside cover. Could you get different colors of leaves and arrange them to make a picture? Could you cut out and paint leaf shapes and arrange these?
  • Imagine that a forest (or other type of landscape) 'grew' in your bedroom / kitchen / classroom. Draw a picture showing what this might look like.
  • Look at how Maurice Sendak used shading within the illustrations. Try creating different shades of one color. Can you use these shading techniques in your own pictures?
  • Can you make a flip-book animation based on a scene in the book. Look at this video showing a test animation by Disney which is based on the book:
Music
  • Compose a piece of music to accompany the 'wild rumpus'.
Geography
  • Draw a map showing Max's bedroom, the ocean that he sails over and the place where the 'wild things' live.

Enjoy other books by Maurice Sendak






BOOBY HATCH BY BETSY LEWIN


BIBLIOGRAPHY

Lewin, B. (1995). Booby hatch. New York, New York: Houghton Mifflin.

PLOT SUMMARY
Booby Hatch is written and illustrated by Betsy Lewin.  The story is based on Lewin’s observations of a blue footed baby bird living on the Galapagos Island.  She chronicles the progress of Pepe from a hatchling to a fully fledged bird that finds a mate and begins his own family. The story begins with two parents patiently looking at a little white egg and anxiously waiting the birth of their little bird. His parents feed and care for Pepe. While he is still in his soft white feathers, his parents warn him of the dangers on the island. Once he is able to fly on his own, he ventures out to the island where he meets Tina and they began to dance. They too will begin patiently waiting for their own little white egg to hatch.


CRITICAL ANALYSIS
.
Betsy Lewin's book Booby Hatch is beautifully illustrated. The soft water colors in shades of blue, white and brown with touches of red and black remind me of the wonderful summers I spent on South Padre Island. The animal drawings are realistic and believable. The colors evoke a soothing calmness and create a relaxing atmosphere for the reader. Lewin’s approach to allowing the reader to view life through Pepe’s eyes is an excellent tool to engage the reader. At the beginning of the story the illustrator focuses on the little white egg to show the eagerness Pepe’s parents are feeling for their own little hatchling. Once Pepe is born, we are again drawn to Pepe’s feet. Throughout the book the reader is transfixed on the environment that surrounds Pepe and the other inhabitants of the island.

REVIEW EXCERPT(S)
"A lovely book that succeeds in every way." (School Library Journal Starred)
Each pleasing, double-page spread features a well-composed sketch or a series of sketches, all beautifully tinted with watercolor washes. A simple, appealing nature study for young children. Carolyn Phelan (Booklist)
CONNECTIONS
Incorporate Booby Hatch into a Reading, Math or Science lesson by discussing the appearance of a variety of eggs, conduct an egg-observation activity with eggs of different types and sizes from the grocery store. 
Re-create the bird-watching experience, by visiting one of the many online bird webcams. Students can watch baby birds grow or see how birds live in the wild. 
Students could research the Galapagos Island and share about the other animals, plants and climate on the island.

 

Books illustrated by Betsy Lewin.

Betsy Lewin is the Caldecott Honor–winning illustrator of Click, Clack, Moo: Cows That Type and its sequels, Click, Clack, Surprise!; Click, Clack, Ho, Ho, Ho; Click, Clack, Peep; Click, Clack, Boo!; Giggle, Giggle, Quack; Duck for President; Dooby Dooby Moo; and Thump, Quack, Moo; in addition to a number of other picture books, including So, What’s It Like to Be a Cat? and Where Is Tippy Toes? 

Books similar to Booby Hatch

Marcel McDuby the Blue-Footed Booby 

by Sarah Case Mamika (Author), Nicolas Peruzzo (Illustrator)

Where Are the Galapagos Islands?

by Megan Stine (Author), John Hinderliter (Illustrator)

A Blue-Footed Booby Named Solly McBoo 

by Dwayne Magee  (Author), Adam Arditi (Illustrator)








LOCOMOTIVE BY BRIAN FLOCA


BIBLIOGRAPHY
Floca, B. (2013). Locomotive. S.l.: Atheneum Books for Young Readers.ISBN 978-1-4169-9415-2

PLOT SUMMARY
Locomotive by Brian Floca, is filled with rich railroad history.   The pages, sights and sounds take you back to an era of traveling and adventure.   Men from all over the world have come to work on this new road.   A road made of steel, iron and sweat.  Many years of hard labor have gone into the building of the railroad, now it is time for the traveling to begin.  All the sights, sounds and scenery signal a new adventure for a family patiently waiting for the train on the platform, but in all the excitement danger lurks on the railway.   An exciting adventure lies ahead on the pages of this book.

CRITICAL ANALYSIS

Brian Floca’s book is beautifully and artistically illustrated.   Intricate details in the telegraphs, maps, clothes and the train itself take the reader back to the summer of 1869.  The illustrator’s combination of print size, color and the sounds associated with it, each evoke the reader to imagine the clang of the bells, the screeching of the tracks, the smell of the smoke and the excitement associated with a train ride. Each detail is carefully used to inform and draw the reader into a journey full of beautiful landscapes, such as wide open spaces and the night ride illuminated by the moon’s pale light.   A diagram of the train and a summary of steam power are carefully presented in detail.  This book can appeal to a wide range of ages.  Children of a younger age may appreciate the book better if read to.

REVIEW EXCERPT(S)
"It's impossible to turn a page without learning something..." (Booklist 2013)

CONNECTIONS
Social Studies
  • Read the book to introduce the Transcontinental Railroad

Language Arts
  • Use the story to introduce or review onomotoepia. Demonstrate how authors use word choice (onomatopoeia) to develop a story and engage a reader.
  • Compare and contrast a steam engine with a modern day car

Art/Math
  • Construct a train using geometric shapes or objects (boxes, cartons, and cylinders)


Enjoy other Brian Floca books:
Moonshot ISBN 9781416950462
Lightship ISBN 9781416924364
The race Car Alphabet ISBN 9780689850912